Billy Crystal (left) and Sammy Davis Jr.
By ADAM BUCKMAN
NEW YORK, Feb. 28, 2012 — Billy Crystal is being criticized for appearing in costume as Sammy Davis Jr. in the elaborate pre-produced bit that opened the Oscar telecast Sunday night on ABC.
What are the critics complaining about? His face — specifically, the dark makeup Billy used to complete his impersonation of Sammy.
In the aftermath of the Oscars, the makeup is producing accusations that Billy was doing a racist, “blackface” impersonation of the late, legendary entertainer, who was African-American (and also Jewish).
The Hollywood Reporter has a rundown — here — of the “controversy” and the handful of critics whose Tweets appear to have ignited this mini-firestorm.
For example, a blog identified as “Feministing” declared, “Blackface is not okay, ever.” And from this thin gruel are “controversies” made these days.
My own opinion is that this “firestorm” doesn’t hold water, but more on that in a moment.
First, the background: Billy turned up in costume as Sammy Davis in the portion of that opening bit that spoofed the Woody Allen movie “Midnight in Paris.” “Sammy” appeared in a vintage limousine with Justin Bieber (the real one).
The choice was apparently made to include Billy’s “Sammy” character simply because it’s a character he was famous for doing on “Saturday Night Live” when he was a cast member in 1984-85. Back then, as now, the characterization required dark makeup. (It’s also worth noting that Billy impersonated Muhammad Ali and Prince on “SNL”; in fact, it was his impression of Ali that made him famous as a young comedian in the 1970s.)
In the wake of Sunday’s “Sammy” appearance on the Oscar show, these “critics” have dealt Billy the “blackface” card. “Blackface” refers to a practice with roots in 19th-century forms of popular entertainment in which white stage performers blackened their faces with burnt cork or shoe polish to portray African-Americans in ways that often weren’t exactly flattering (and if that’s an understatement, then unlike the Twitterers, I admit right up front I’m not an expert on this subject, though there are plenty of places to learn about it in books and on the Internet).
The “blackface” practice probably reached its zenith when Al Jolson, considered by many to be one of the most electrifying entertainers who ever lived, donned the dark makeup in the early decades of the 20th century to sing songs such as “Mammy,” which certainly wouldn’t fly today.
Cut to the present day: And now, Billy Crystal is being accused of racist “blackfacing” as if he’s been caught barnstorming the country in a minstrel show.
I happen to think this mini-controversy is baloney for several reasons. For one thing, Billy Crystal has never demonstrated any sort of bias against African-Americans or anyone else, as far I can recall. In addition, when it comes to Sammy Davis Jr. in particular, he seems to have adored the man — as I learned earlier this month when Billy talked at length about Sammy on Showtime’s “Inside Comedy,” the show on which David Steinberg interviews top comedians about their craft.
Billy told an incredibly affectionate story about Sammy from the days when Billy opened for Sammy in Lake Tahoe (and probably other places). You could tell that Billy had nothing but love and respect for Sammy. Certainly, how Sammy felt about Billy’s impersonation of him on “SNL” remains an open question (one biography of Sammy that I own – “In Black and White: The Life of Sammy Davis Jr.” by Wil Haygood – doesn’t report on Sammy’s reaction but speculates that he may have felt forced to accept it because of his own history of doing impersonations; Davis died in 1990).
The last thing I’ll say about this is: I think the people criticizing Billy for “blackfacing” are being awfully selective here. I’m pretty sure Fred Armisen has to tint his face a bit to play Barack Obama on “SNL” (and, in a recent sketch, Prince), but we haven’t seen any “blackface” accusations thrown his way.
In addition, Robert Downey Jr. was criticized by some for applying dark-face makeup for the 2008 movie “Tropic Thunder.” But that “controversy” died down and was soon forgotten.
My prediction: The same thing will happen with this Crystal controversy too.
Contact Adam Buckman: email@example.com