Archive for the ‘Late Night with Jimmy Fallon’ Category

Fallon in 2011: I’ll take over when Jay’s ready

March 29, 2013
Jimmy Fallon ponders the possibility of replacing Jay Leno on "The Tonight Show."

Jimmy Fallon ponders the possibility of replacing Jay Leno on “The Tonight Show.”

By ADAM BUCKMAN

NEW YORK, May 29, 2013 — Jimmy Fallon said two years ago he’d “love” to host “The Tonight Show,” but only when Jay Leno “is ready” to hand over the reins.

Fallon said it on Ellen DeGeneres’  talk show in March 2011.  It was a time, much like the present day, when stories were circulating that NBC was grooming Fallon to take over “The Tonight Show.”

“If they offered that to you, would you go into that time slot?” Ellen asked Fallon, who first gave a less-than-serious answer.

“Letterman did [NBC’s “Late Night”] and then he went to CBS,” Fallon said.  “Then Conan did [it] and he’s at TBS.  So I think if there’s a lesson to be learned, if you do this, you’re guaranteed not to host ‘The Tonight Show’!”

Turning serious, Fallon said, “Of course, I’d love to do it whenever Jay’s ready, if Jay wants to retire.”

Previously:

Leno jokes: ‘Young’ Jay will replace ‘old’ Dave

Move ‘The Tonight Show’ to NYC? Fuhgeddaboutit!

Why bring this up? Simply because it can be instructive sometimes to comb through the archives for instances where history repeats itself.  As far as I can tell, that round of stories about Fallon replacing Leno originated in December 2010 with a New York Post story that reported Fallon was even then being eyed to take over for Jay.

Granted, the stories back then were less specific than the stories circulating now that say Fallon’s “Tonight Show” takeover is, for all intents and purposes, a done deal — with Fallon set to replace Leno in summer 2014, after Jay gets a final “farewell” season starting in September.

Read our COMPLETE timeline of all of Jay’s jokes about NBC and late-night TV since March 11 — right HERE

In addition, it’s always interesting to go back to past statements — like the ones Fallon made that day on “Ellen” — to assess their relevance in light of more recent events.  Certainly, Fallon’s assertion then that he would “love” taking over “The Tonight Show” only if and when Leno is ready to retire may have been wholly sincere.

But the fact is, all the recent stories about NBC’s Fallon-Leno replacement plan (which the network has yet to confirm) indicate that Leno is not “ready” nor is he thinking about retirement.  Instead, NBC is expected to force the issue by not renewing his contract when it expires next year.

And in response, Leno’s been defiantly fighting back as only he knows how — by skewering his network with monologue jokes almost nightly for the better part of three weeks.

So, how does Fallon feel today about taking over “The Tonight Show” at a time when Leno, by all appearances, does not seem “ready” to retire?  Fallon has made no comment this time around like the ones he made on “Ellen” two years ago.

Contact Adam Buckman: adambuckman14@gmail.com

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Move ‘The Tonight Show’ to NYC? Fuhgettaboutit

March 22, 2013
Tale of two cities: NBC's Burbank headquarters (top), home of Jay Leno; and (bottom) NBC Studios in New York, home base for Jimmy Fallon.

Tale of two cities: NBC’s Burbank headquarters (top), home of Jay Leno; and (bottom) NBC Studios in New York, home base for Jimmy Fallon.

By ADAM BUCKMAN

NEW YORK, March 22, 2013 — Moving “The Tonight Show” to New York would be a huge mistake.

Why?  Because it will instantly rob the show of the one advantage it has been able to count on for decades as the No. 1 show in late-night: First dibs on Los Angeles-based guests.  And since L.A. is where 90 percent of the nation’s top movie, TV and music stars live and work, it stands to reason that a show like “The Tonight Show” would want to preserve that access.

But no.  Reports this week have NBC ramping up the construction of a new studio within its 30 Rockefeller Plaza headquarters in New York that would be the new home of “The Tonight Show” hosted by Jimmy Fallon.  The move would uproot the show from southern California, where it has reigned as the top-rated show in late-night for the better part of 41 years.

Even worse, NBC would be voluntarily ceding its hard-won top position in the L.A. booking wars to the one guy whose move to an earlier time period has given NBC and its executives so much angst in the first place, Jimmy Kimmel.

When or if “The Tonight Show” moves to New York, “Jimmy Kimmel Live” will instantly become the first choice for L.A.-based celebrities and their publicity handlers — easily out-booking Craig Ferguson on CBS and Conan O’Brien on TBS.  Meanwhile, in New York, the new Fallon “Tonight Show” will be competing for guests — always a more-limited pool of them in New York, compared to L.A. — with David Letterman.

A TVHowl exclusive: Read every NBC joke Jay has delivered since his current war with the network began March 11 — our complete timeline HERE

And unless Fallon can maintain “The Tonight Show’s” top position in the ratings, Letterman will be first in line for top celebrities when they’re in New York.  Can you imagine?  Guests will appear on “Letterman” on CBS, and then, the next evening, they’ll be on Fallon’s “Tonight Show” — signaling to anyone who watches late-night TV that NBC is no longer in the driver’s seat.

In fact, that scenario is what happens now with A-list guests in New York — they go on “Letterman” first and then show up the next day on Fallon’s “Late Night.”  So how will “The Tonight Show” benefit from playing second fiddle to Letterman?  The answer: It won’t.

So why is NBC considering this move in the first place?  I suspect it has to do with issues of internal management combined with a dash of wishful thinking.

Network executives might feel the consolidation of NBC’s three big late-night shows — “Tonight,” “Late Night” and “Saturday Night Live”– under one roof will somehow bring all three shows into some kind of hoped-for creative uniformity based somewhat on the successful “SNL” model.  Fallon’s “Late Night” is heavy on “SNL”-type sketch comedy and it is assumed that it will continue in that vein with probable new host Seth Meyers.  The aim would then be to transform “The Tonight Show” into the same kind of show — all under overseer Lorne Michaels, of course.

Michaels would probably relish the opportunity to assume control of “The Tonight Show.”  He may even feel he deserves it, because of all he has contributed to NBC’s success in late-night over the years.  He wouldn’t be entirely wrong there, and NBC might be willing to reward his loyalty,  hard work, and talent for generating profits with this new trophy.  In addition, NBC might feel that the “SNL” approach is only possible in New York for some reason.

Moreover, the last time they moved a New York guy to L.A. — Conan — it didn’t work out.  So maybe they’re reluctant to send another New York guy to the West Coast.  Or maybe Fallon is dead set against moving to California (although I doubt this).  Whatever is going on behind the scenes at 30 Rock, none of it seems compelling enough to propel moving “The Tonight Show” to New York.

The wishful thinking part is this: That when it comes to booking guests, so many of them come to New York on their publicity tours for new projects that there are more than enough A-level celebrities running around midtown at any given time that there’s no longer a shortage of them these days for the New York-based late-night shows.

Why is that thinking “wishful”?  Because it’s not true.  Despite all the talk shows here, and all the celebs that parachute in to make the talk-show rounds, there are never enough to go around — which creates “slack” times when talk shows struggle for top guests.

This is a truism that cannot be wished away.  It’s also a truism that one of the advantages “The Tonight Show” has enjoyed for 41 years has been its position at the pinnacle of the Hollywood establishment — first with Carson and then with Leno, who’s a Hollywood/Beverly Hills insider if there ever was one.

The reasons NBC has for moving “The Tonight Show” to New York City would seem to have everything to do with internal network politics, and nearly nothing to do with benefiting the show and ensuring its future as TV’s top-rated late-night show.

Of course, will someone please explain to me why NBC is monkeying around with this show in the first place, when so many other issues — most notably, prime time and mornings — would seem to demand the majority of the company’s attention at this time?

In the final analysis, moving the show back to New York after 41 years of success and warm-weather comfort in southern California makes about as much sense as bringing the Dodgers back to Brooklyn.

Contact Adam Buckman: adambuckman14@gmail.com

Gathering of late-night TV scribes wows audience

March 31, 2010

FUNNY BUSINESS: Five late-night comedy writers came together Tuesday night (March 30) in New York for a panel discussion on the art of comedy writing for television. The writers (front row, l-r): Erik Kenward, “Saturday Night Live”; Bashir Salahuddin, “Late Night with Jimmy Fallon”; Jason Ross, “The Daily Show with Jon Stewart”; J.R. Havlan, “The Daily Show”; and Diallo Riddle, “Late Night with Jimmy Fallon.” Back row (l-r): Alaina Bendi, Center for Communication; Adam Buckman, moderator, TVHowl.com; and Dr. William Baker, Fordham University. Photo: Center for Communication

By ADAM BUCKMAN

NEW YORK, March 31, 2010 — Many thanks to our panel of five late-night comedy writers who all  participated in a live panel discussion before an audience of several hundred college students and others Tuesday night (March 30) in Manhattan.

The event, sponsored jointly by the Center for Communication and Fordham University and held at Fordham’s Pope Auditorium on West 60th Street, brought together representatives of three New York-based late-night shows: “Saturday Night Live” (writer: Erik Kenward), “Late Night with Jimmy Fallon”(writers: Bashir Salahuddin and Diallo Riddle) and “The Daily Show with Jon Stewart” (writers: Jason Ross and J.R. Havlan).  The moderator was yours truly, Adam Buckman.

Among other things, the audience learned, from Erik Kenward, that “SNL” writers observe the results of their sketch-writing work in the company of the show’s uber-boss Lorne Michaels during the show’s traditional dress rehearsal, the dry run just before the live broadcast when the evening’s sketches are audience-tested.  It’s during that dry run that Michaels will sometimes yank a sketch altogether or order changes.

All the panelists urged audience members to start working on their comedy writing if they ever hope to break into the big time and become staff writers on some of TV’s biggest shows.  The panelists advised prospective comedy scribes to produce visual content for the Web as a way of practicing this comedy art form and also as a way of assembling a body of work to show prospective employers.

Contact Adam Buckman: AdamBuckman14@gmail.com


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