By ADAM BUCKMAN
NEW YORK, Feb. 18, 2014 — Jimmy Fallon and his handlers got a great deal of it right in producing his debut show as host of “The Tonight Show” Monday night.
The set was beautiful — a classy interior that reflected the iconic architecture of midtown Manhattan where the newly relocated “Tonight Show” is now situated.
The show made the most of its new New York home when it featured a sunset performance by U2 on the roof of 30 Rockefeller Plaza. It was as if to say to doubters who pooh-poohed the show’s move from California (doubters such as yours truly): Here’s why we moved from boring suburban Burbank to the very center of New York City, OK?
And, as if to dispel the notion that New York would not be as fertile a location as southern California for accessing A-list guests (again, yours truly is guilty as charged with promoting this perception), a parade of A-listers came on one at a time to participate in an elaborate comedy bit “welcoming” Jimmy to “The Tonight Show” — from Robert De Niro to Lady Gaga.
They’re both closely associated with New York City, but at least one of the other stars was not — Kim Kardashian — who’s a southern California celebrity if there ever was one. She’s also the only one of the celebs seen Monday night on “Tonight” who was also seen on Jay Leno’s final show earlier this month, providing (perhaps inadvertently) the only discernible link between the two shows.
In fact, Fallon’s “Tonight Show” was so shiny and new and full of upbeat energy that it was easy to forget that Leno was last seen a mere 12 days earlier. While watching the debut of the Fallon “Tonight Show” Monday night, it seemed as if Leno had been gone a lot longer, and his “Tonight Show” a relic of the distant past, rather than a show that ran for the better part of 22 years and ended only on Feb. 6.
One nice touch: Positioning the U2 rooftop performance in the middle of the show, something late-night shows never do traditionally. Placing the musical guests at the end of the show — as all of the shows do — is so customary that slotting the U2 number earlier in the show was a downright revolutionary thing to do. I found myself thinking: Hey, are they allowed to do that? It turns out that they are.
The only weakness of the show was, again, Fallon’s comportment with his guests. With both Will Smith and U2, Fallon played the role of the wide-eyed, grinning, giggling fan who just can’t believe that these stars are sitting there in the same room with him.
It’s an attitude he ought to lose: The top-tier hosts in late-night have never affected that pose. David Letterman, Jay Leno, even Jimmy Kimmel — they always come across as if they regard these celebrities as their equals, not as sacred idols whose presence on their shows constitutes some sort of miracle.
That was the style established by Johnny Carson, whose mantle Jimmy Fallon now wears, for better or worse. Get used to it.
Contact Adam Buckman: firstname.lastname@example.org