Krusty the Clown and agent Annie Dubinsky (Joan Rivers) in last Sunday’s episode of “The Simpsons” on Fox (Photos: Fox)
By ADAM BUCKMAN
NEW YORK, Dec. 5, 2011 — “The Simpsons” crammed a ton of TV history into that new episode seen this past Sunday night on Fox — not only spoofing Ralph Kramden and “The Honeymooners” and other iconic shows — but also featuring a storyline for guest-star Joan Rivers that cut close to the bone.
It was a story about a top comedy talent headlining a network TV show and the show’s headstrong producer, with whom the comedian has a close personal relationship. In the episode, the producer — played by Rivers — threw her weight around so much on the set that network execs ordered the comedian, Krusty the Clown, to fire her, or else they would.
The story, no doubt devised with Rivers’ approval and possibly with her input, mirrored her own personal history — with Fox, no less — back in 1987. That’s when she starred in a late-night show on the then-fledgling network — “The Late Show Starring Joan Rivers” — while her husband, Edgar Rosenberg, acted as executive producer. When Fox execs ordered her to fire Edgar, she refused and they were both canned. Three months later, he committed suicide — the worst tragedy of Rivers’ life.
And yet, there she was on “The Simpsons” spoofing her own tragic history — something only a comedian of her stature and experience would attempt.
In the episode, Krusty’s kids show got cancelled because he was so sadly behind the times (even referring in a meeting with network executives to “Percy Dovetonsils,” a character not seen on TV since the late Ernie Kovacs played him in the 1950s). So Krusty linked up with Annie Dubinsky (Rivers), who was once his agent and girlfriend in the 1960s until he dumped her. This past Sunday, she engineered his comeback after the cancellation. But then, he had to fire her.
The whole episode dealt with the history of television, starting out with a Simpson family outing to the Springfield Museum of Television, which was closing and holding a memorabilia fire sale because no one apparently cared anymore about the early history of TV. And, as Homer lamented, you don’t need to visit a museum anymore to see clips of old shows when you have the Internet.
At the museum, the family encountered an exhibit devoted to an old — and fictional — black-and-white show from the ’50s called “Fatso Flanagan,” which bore more than a resemblance to the old “Honeymooners.” Homer and Marge even mimicked the famed “Baby, you’re the greatest!” scenes from “The Honeymooners” as Homer described how almost every comedy ever made for TV was based somehow on “The Honeymooners.”
It was an incredibly rich episode, and one that ought to put to rest, at least for now, rumblings from some critics lately that “The Simpsons” ought to be put out to pasture. All we can say to that is this: Not yet, Fox — not yet.
Contact Adam Buckman: email@example.com